The Editors at Clamor, the Arts & Literary Journal at the University of Washington Bothell evidently found a compelling interest in the series [/life in the Matrix] and I’m pleased to announce each of my submissions has been selected for publication in the upcoming 2017 edition. Thank you Editors!These pieces challenge the acceptance of propaganda that disposes with the truth by pointing to an imaginary reality and part of series of work designed as [/life in the Matrix].My intention is clear, while the narrative might not be immediately recognizable, my art encourages the viewer to take a long look. In creating these pieces the visual clues I use are often contextually abstract and subjects are placed in improbable circumstances, bordering on the surreal, but based in realism.
These pieces were chosen for publication in the 2016 edition of Clamor, the annual arts and literary journal for University of Washington, Bothell. In conjunction with the Undergraduate Research Fair at UWB, Clamor is hosting an Art Exhibit on May 13th that will include these works!
For those that like to read, I was required to submit a brief abstract:
Dana graduated (magna cum laude) from UW Bothell in 2014 with a bachelor’s degree in Interdisciplinary Art. While her artistic endeavors vary between mediums and substrates her focus is primarily in two dimensional pieces of oil on canvas. Impressed by her studies in preserving habitat and climate change, Dana often incorporates these issues into her work by using a blackbird either representing himself, nature as a whole, or an anthropomorphic rendition in substitution for man’s dilemma and his place in nature. Her work asks the viewer, through the use of visual clues, to consider its message, if only for just a moment, as art is not only documentation of the culture in which we live; it identifies and defines who we are as a society.
Melancholy Crow, 2015, places the blackbird in a pose that would not be found in nature and was intentioned to draw reference to such classics as Manet’s Olympia. While the message, man’s encroachment on habitat is strictly subliminal, the classic pose is meant to direct the viewer’s attention to nature and man’s interaction with it.
Quantum Physics, 2015 is the artist’s vision of a headline that read, “Scientists show future events decide what happens in the past.” Based on the act of observation, the article explained that Australian scientists had used protons in a double slot experiment that proved the statement. This piece represents the artist’s interpretation of the observation.